We didn’t have the gallery to look into your souls. We had the gallery to see if you had souls at all.
Yes, I killed him. I killed him for money - and a woman - and I didn’t get the money and I didn’t get the woman. Pretty, isn’t it?
Double Indemnity (1944)
“I’ve been doing P.O.S. mini-lab work for more than 20 years now. I consider it an important job. When people’s houses are on fire, what’s the first thing they save after their pets and loved ones are safe? The family photos. Some people think that this is a job for a clerk. They actually believe that any idiot that attends a two-day seminar can master the art of making beautiful prints in less than an hour. But of course, like most things, there’s far more to it than meets the eye. I’ve seen prints they fob off on people at the Rexall or Fotek… milky, washed-out prints… too dark prints. There’s no sense of reverence for the service they’re providing for people. I process these photos as if they were my own.”
One Hour Photo (dir. Mark Romanek)
…you won’t believe it. A pigeon came in, for the second time already, through the light well. This time I caught it. In fact it wasn’t difficult at all. But I set it free again. I’m going to…
Sedmikrásky (dir. Věra Chytilová)
I have really nothing to say, but I want to say it all the same.